A week ago, Björk came back to TV without precedent for a long time, a pair of predictably (and delightfully) off-kilter performances on Later… with Jools Holland. It was awesome! Far and away superior, she came back to the greenery secured organize only a couple of days after the fact for another match of exhibitions and a drawing in talk about how composing a collection resembles fathoming a murder riddle, woodwinds, and the significance of the Paris Climate Accord.
The primary execution, "Blissing Me", sees the Icelandic lyricist singing the ethereal tune in front of an audience plant heaven, encompassed by veil wearing flute players. In the second, an unpleasant execution of "The Gate", Björk and her instrumentalist wood fairies make a sonic scene that proposes she's summoning a type of extraordinary soul from inside a universe made of pixie clean and Disney motion pictures and passing, or something. It's astonishing.
Björk has beforehand communicated a craving to release live version of Utopia featuring more flutes,, a prospect that is considerably all the more alluring at this point.
watch the videos below: