by Dejan Stojkovski
Elysia Crampton's new album, Spots Y Escupitajo, finds an unexplored center ground between present day established and Central/South American club music. It's propelled as much by the works of John Adams and William Grant Still as it is by move makers like DJ Saiber and DJ Rodini. It's a sonic advancement for Crampton, and the collection highlight "Saliva"— a constantly moving bit of encompassing piano music that is sorted out like a DJ set—demonstrates her development as a maker.
The album is of two sections; Spots, which are short-frame organizations or tests, and, I figure, Escupitajo, which means something like "spitting" or "spittoon" — those being the full-length tracks.
The thing is OUT NOW—computerized arrangements and constrained to-300 vinyl squeezing—at The Vinyl Factory and different spots, where you can hear little specimens of the considerable number of tracks. The two longest are accessible in-full down underneath, trailed by the cover craftsmanship and tracklisting. In this way, once more, in the event that you didn't "know" these things before; now you know. I trust.
Tracklisting:
01. Spot 01 02. Spot 02 03. Spot 03 04. Spot 04 05. Spot 05 06. Spot 06 07. Spot 07 08. Battle & Screams 09. Gold Country Vapor 10. Promesa 11. Spot 08 12. Chuqui Chinchay 13. Spittle (Safeway Parking Lot) 14. Sombra Blanca Misteriosa (y Rara)
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February 2020
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