What is the concept of the the Syzygy hyperstition matrix?

Syzygy was the title of a five week ‘art show’ co-produced by Ccru and Orphan Drift.
 
The name means ‘twinning’ or ‘twin-system’, and this theme operated as a multilevelled guiding thread. It was during the production of this event that Ccru made contact with the virtual Continentity of Lemuria, which taught us many secrets that we have since attempted to formulate as ‘Digital Hyperstition’.

​Digital hyperstition is already widespread, hiding within popular numerical cultures (calendars, currency systems, sorcerous numbo-jumbo, etc.). It uses number-systems for transcultural communication and cosmic exploration, exploiting their intrinsic tendency to explode centralized, unified, and logically overcoded ‘master narratives’ and reality models, to generate sorcerous coincidences, and to draw cosmic maps.
 
The Lemurian biomechanical hyperculture propagates itself through decimal notation, whose latent interconnections are demonstrated in the Numogram (see web-site): an occult diagram of time and practical guide to the ethics of unbelief. An initial attempt to clarify this topic has been made in the most recent issue of our journal Abstract Culture.

​According to the tenets of Hyperstition, there is no difference in principle between a universe, a religion, and a hoax. All involve an engineering of manifestation, or practical fiction, that is ultimately unworthy of belief. Nothing is true, because everything is under production. Because the future is a fiction it has a more intense reality than either the present or the past. Ccru uses and is used by hyperstition to colonize the future, traffic with the virtual, and continually re-invent itself.

excerpt from the book: ​Ccru Writings 1997-2003