2014 | Russia | Documentary | 27 min.
Director: Irina Bessarabova, Igor Volosetsky
In the film of the producer center of the studio. M. Gorky modern theater directors reflect on the relevance of the Stanislavski system. For example, Dmitry Volkostrelov is convinced that Konstantin Sergeyevich expanded the boundaries of the theater and therefore it is important to study the system in order to understand the actor's nature. Roman Viktyuk at the rehearsals of the performance "Don Juan" speaks of Stanislavsky's system as a method that tunes the actor to the ability to throw energy into space. Adolf Shapiro believes that "it is possible that some provisions are already outdated, but the actor who owns the method, quickly learns other systems." Dmitry Krymov rehearsing the play "Katya, Sonya, Polya, Galya, Vera, Olya, Tanya ..." says that it is interesting for him to work in mixing different systems, but Stanislavsky's system is the basis of the theater: "It's like building a , Owning a sopromate, you can build something incredible, like Gaudi, and you can and "Khrushchev."
Vladimir Mirzoyev believes that "a separate director is a separate school," and Andrei Zhitinkin shares his experience in the US: "Stanislavsky is already a brand ...". Summarizes all the theatrical the Inna Solovyov said: "... Stanislavsky's system is a variety of ways to communicate with the public, with the role, with partners, with the surrounding world ...".
The authors also used archival footage of rehearsals by Konstantin Sergeyevich Stanislavsky.