The dialog was recorded for BBC Newsnight's ‘Encounters’ series, with subjects extending from the impact of Bobby Vinton's 1963 hit 'Blue Velvet' on Lynch's film of a similar name, seeing Jerry Garcia's phantom, getting a kick out of the chance to '"bite" works of art, and in addition 'Twin Peaks', which Smith says  “reconnected [her] to the world and art”.
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A highlight came when the match examined Russian activists Pussy Riot, who were imprisoned for very nearly two years for what they portrayed as a "punk prayer".

Watch the video  below :

La Société du Spectacle (Society of the Spectacle) is a black and white 1973 film by the Situationist Guy Debord based on his 1967 book of the same name. It was Debord's first feature-length film. It uses found footage and detournement in a radical Marxist critique of mass marketing and its role in the alienation of modern society.

The 88 minute film took a year to make and incorporates an apparent jumble of footage from feature films juxtaposed with still photographs, industrial films, early 1970s glossy 'lifestyle' TV ads, and news footage of unrest in the streets.[1]The feature films include The Battleship Potemkin, October, Chapaev, The New Babylon, The Shanghai Gesture, For Whom the Bell Tolls, Rio Grande, They Died with Their Boots On, Johnny Guitar, and Mr. Arkadin, as well as other Soviet films.

Throughout the film, there are intertitles consisting of quotations from The Society of the Spectacle, along with Debord (in voice-over) reading texts from Marx, Machiavelli, the 1968 Occupation Committee of the Sorbonne, Tocqueville, Émile Pouget, and Sergey Solovyov and others. Without citations, these quotes are hard to decipher, especially with the conflicting subtitles (which exist even in the French version): but that is part of Debord's goal to "problematize reception" (Greil and Sanborn) and force the viewer to be active. In addition, the words of some of the authors are detourned through deliberate misquoting.

Footage of historical events is included, such as the murder of Lee Harvey Oswald (the assassin of U.S. President John F. Kennedy in 1963), the Spanish Civil War of 1936-1939, the 1956 Hungarian Revolution and the Paris riots in May 1968, along with clips of people such as Mao Zedong, Richard Nixon and the Spanish anarchist Durruti.

In 1984, Debord withdrew his films from circulation because of the negative press and the assassination of his friend and patron Gerard Lebovici. Since Debord's suicide in 1994, Debord's wife Alice Becker-Ho has been promoting Debord's film. A DVD box set titled Guy Debord: Oeuvres cinématographiques complètes was released in 2005 and contains Debord's seven films.

​Directed by Guy Debord
Written by Guy Debord
Narrated by Guy Debord
Music by Michel Corrette
Release date: 1973
Running time: 88 min.
Country: France
Language: French

Conference of the SI at Goteborg, Sweden, 1961. From left to right: J.V. Martin, Heimrad Prem, Ansgar Elde, Jacqueline de Jong, Guy Debord, Attila Kotyani, Raoul Vaneigem, Jorgen Nash, Dieter Kunzelmann, and Gretel Stadler.

The Situationist International (1956-1972) is an interesting short film by Branka Bogdanov primarily documenting the work of ultra-leftist French philosopher Guy Debord, author of the influential post-Marxist study of 20th capitalism Society of the Spectacle. The film explores Debord’s influence on the Paris riots of May 1968 and the nihilistic aesthetics of the punk rock era.

Includes commentary by leading art critics Greil Marcus, Thomas Levine, and artists Malcolm Mac Laren and Jamie Reid. Branka Bogdanov, Director and producer. NTSC-VHS 22 min. 1989