So here's the arrangement. David Lynch made this exceptionally engaging video of himself disclosing how to set up a quinoa formula of which he's especially affectionate as an additional on the DVD of Lynch's 2006 film Inland Empire. The video made the rounds two or three years prior, and after that the legal advisors got included and it was pulled down.

​Yield: 1 bowl
Cooking Time: 17 minutes

Ingredients:
1/2 cup quinoa
1 1/2 cups organic broccoli (chilled, from bag)
1 cube vegetable bullion
Braggs Liquid Aminos
Extra virgin olive oil
Sea salt

Preparation:
* Fill medium saucepan with about an inch of fresh water.
* Set pan on stove, light a nice hot flame add several dashes of sea salt.
* Look at the quinoa. It’s like sand, this quinoa. It’s real real tight little grains, but it’s going to puff up.
* Unwrap bullion cube, bust it up with a small knife, and let it wait there. It’ll be happy waiting right there.
* When water comes to a boil, add quinoa and cover pan with lid. Reduce heat and simmer for 8 minutes.
* Meanwhile, retrieve broccoli from refrigerator and set aside, then fill a fine crystal wine glass—one given to you by Agnes and Maya from Lódz, Poland—with red wine, ‘cause this is what you do when you’re making quinoa. Go outside, sit, take a smoke and think about all the little quinoas bubbling away in the pan.
* Add broccoli, cover and let cook for an additional 7 minutes.
* Meanwhile, go back outside and tell the story about the train with the coal-burning engine that stopped in a barren, dust-filled landscape on a moonless Yugoslavian night in 1965. The story about the frog moths and the small copper coin that became one room-temperature bottle of violet sugar water, six ice-cold Coca-colas, and handfuls and handfuls of silver coins.
* Turn off heat, add bullion to quinoa and stir with the tip of the small knife you used to bust up the bullion.
* Scoop quinoa into bowl using a spoon. Drizzle with liquid amino acids and olive oil. Serve and enjoy.

Inspects the connection between the revolutionary rhetoric of surrealist literature and the works of Max Ernst  which are not obviously about progressive subjects. The fundamental connection lies in the process whereby Ernst and different surrealists touched base at their symbolism: they utilized strategies intended to empower the subliminal personality to communicate. Ernst built up the strategies of collection, grattage and frottage which depended on "arbitrary" occasions, proposing or building up pictures. The surrealist upheaval lies, it is contended, in this composed masterful articulation of the intuitive - to utilize Ernst's own particular words, heard in the program, in ‘the synthesis of objective and subjective life’.

Watch the  videos  below:

Literature and Evil

'Literature is not innocent,'  specified Georges Bataille in his remarkable 1957 collection of essays, arguing that only by acknowledging its complicity with the knowledge of evil can literature communicate completely and intensely. These literary profiles of eight authors and their work, including Emily Brontë's Wuthering Heights, Baudelaire's Les Fleurs du Mal and the writings of Sade, Kafka and Sartre, explore subjects such as violence, eroticism, childhood, myth and transgression, in a work of opulent allusion and powerful argument.

TV interview with Georges Bataille (1958) about his book "Literature And Evil".