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Thomas Ligotti: Vastarien’s Dream Quest

6/16/2018

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by Steven Craig Hickman
Picture
His absolute: to dwell among the ruins of reality.
​

 -Vastarien,  Thomas Ligotti, The Nightmare Factory 
​Thomas Ligotti touches that aspect of the mind that seeks to be elsewhere. He’s exasperated with the world he has been thrown into and has for the most part sought another all his life. Can it be possible that the rendering of such a character as Vastarien in the short story of that name hints at the underlying worldview that has either trapped or unleashed the imagination of one of the great horror writers of our era. I’ve personally been fascinated by his stories for almost twenty years, coming back to them from time to time as I did not with such writers as Poe and Lovecraft his forbears. What is it that instills repeated readings of his work? Maybe it’s as Vastarien himself puts it about our world, that it seems to be lacking something, that something is missing, incomplete: “the missing quality, became clear to him: it was the element of the unreal”.1

This notion of the unreal summons up so many things for both Vastarien and for us as readers and habitués of Ligotti’s oeuvre. For Vastarien “standing before the window, his hands tearing into the pockets of a papery bathrobe, he saw that something was missing from the view, some crucial property that was denied to the stars above and the streets below, some unearthly essence needed to save them. The word unearthly reverberated in the room.” But it is not the false power of religious vision that haunts Ligotti, nor the vein raptures of saints and madmen of the cloistered variety, but rather a place of intimacy, a city of echoes and dreams where one can once again know in the depths of strange streets an order of the unreal, “where an obscure life seemed to establish itself, a secret civilization of echoes flourishing among groaning walls”.
​If madness is the ground of Reason, its other face and dark brother whose power over us must be conquered if we are to become whole and free —that is, normalized — then is the quest of Vastarien to reenter the gates of madness or does his quest harbor some other more formidable end? Vastarien in his quest to uncover the traces of such an unreal world, a paradise of dark wonder and rapture had sought for years in the out of way stalls and venues of rare book stores a hint that would provide the keys to unlock its mysteries. But none had been found. Oh there had been hints and wonders here and there, but most of the authors and visionaries had in the end failed the test. As Vastarien relates it he “had, in fact, come upon passages in certain books that approached this ideal, hinting to the reader—almost admonishing him—that the page before his eyes was about to offer a view from the abyss and cast a wavering light on desolate hallucinations. To become the wind in the dead of winter, so might begin an enticing verse of dreams. But soon the bemazed visionary would falter, retracting the promised scene of a shadow kingdom at the end of all entity, perhaps offering an apologetics for this lapse into the unreal. The work would then once more take up the universal theme, disclosing its true purpose in belaboring the most futile and profane of all ambitions: power, with knowledge as its drudge.”
​
Then Vastarien is awakened from his reveries of unreal paradises by a crow of a man, a thin little frog that squawks at him inquisitively: “Have you ever heard of a book, an extremely special book, that is not…yes, that is not about something, but actually is that something?” Such a strange question from an even stranger personage Vastarien is taken aback. Intrigued by the question which reminds him of his own passionate quest for a book that would reveal the road map to his infernal paradise he’s about to ask the man of it when suddenly the little man interrupts him and is off speaking to the proprietor of the store dismissing Vastarien and the question without further adieu.

This idea that book would not only reveal and represent the object of his dreams and nightmares, but that it in itself would be that very world astounded Vastarien. How could an object whose qualities were only the linguistic traceries of an infinite sea of language ever unfold and open the doors to a secret kingdom. Vastarien had to find out. Feeling abandoned and frustrated our Vastarien followed the two men into the alcove at the back of the store where many unusual volumes lined the shelves. As the narrator relates it:
Immediately he sensed that something of a special nature awaited his discovery, and the evidence for this intuition began to build. Each book that he examined served as a clue in this delirious investigation, a cryptic sign which engaged his powers of interpretation and imparted the faith to proceed. Many of the works were written in foreign languages he did not read; some appeared to be composed in ciphers based on familiar characters and others seemed to be transcribed in a wholly artificial cryptography. But in every one of these books he found an oblique guidance, some feature of more or less indirect significance: a strangeness in the typeface, pages and bindings of uncommon texture, abstract diagrams suggesting no orthodox ritual or occult system. Even greater anticipation was inspired by certain illustrated plates, mysterious drawings and engravings that depicted scenes and situations unlike anything he could name. And such works as Cynothoglys or The Noctuary of Tine conveyed schemes so bizarre, so remote from known texts and treatises of the esoteric tradition, that he felt assured of the sense of his quest.
Then it happened, he came upon a “small grayish volume leaning within a gap between larger and more garish tomes”. Something about it attracted him, a magnetic appeal that forced him to act, and to his delight the small indistinct book revealed something he’d never seen before. It’s this singular paragraph that harbors the promise of so much that we allow it to unfold:
It seemed to be a chronicle of strange dreams. Yet somehow the passages he examined were less a recollection of unruled visions than a tangible incarnation of them, not mere rhetoric but the thing itself. The use of language in the book was arrantly unnatural and the book’s author unknown. Indeed, the text conveyed the impression of speaking for itself and speaking only to itself, the words flowing together like shadows that were cast by no forms outside the book. But although this volume appeared to be composed in a vernacular of mysteries, its words did inspire a sure understanding and created in their reader a visceral apprehension of the world they described, existing inseparable from it. Could this truly be the invocation of Vastarien, that improbable world to which those gnarled letters on the front of the book alluded? And was it a world at all? Rather the unreal essence of one, all natural elements purged by an occult process of extraction, all days distilled into dreams and nights into nightmares. Each passage he entered in the book both enchanted and appalled him with images and incidents so freakish and chaotic that his usual sense of these terms disintegrated along with everything else. Rampant oddity seemed to be the rule of the realm; imperfection became the source of the miraculous—wonders of deformity and marvels of miscreation. There was horror, undoubtedly. But it was a horror uncompromised by any feeling of lost joy or thwarted redemption; rather, it was a deliverance by damnation. And if Vastarien was a nightmare, it was a nightmare transformed in spirit by the utter absence of refuge: nightmare made normal.
 Nightmare made normal. This book that neither revealed an object, nor conveyed some symbolic representation of another world, but in fact brought Vastarien and the world together forming a new third object, where both entered into the force of madness and wonder. One would almost want to say that this is a parody of the most extreme idealist quest imaginable, and yet it is different an inversion of that romantic mythos with its death prone heroes such as Shelley’s Alastor. 

Ultimately Vastarien is able to purchase this work and bring it home, a  book that “did not merely describe that strange world but, in some obscure fashion, was a true composition of the thing itself, its very form incarnate”. This notion of a book breaking all the bonds of representationalism, of freeing us from the mediation of language, of symbols, of the infinite traceries of the undecidable realm of false promises and becoming for us the very thing itself we’d sought all those years. This is what Vastarien had found. One has to ask why humans possess the need to quest after such impossible objects. That we lack something, that we are incomplete, that there is a pit, a void in the recesses of our being that forces us to seek amends, to seek an answer to the quandaries of our torn and bleeding heart. This quest for the Absolute. But not a quest for God, not a quest for some simple answer or trope, some all encompassing One that can assuage the pain at the core of our being. No. We will not stand for hand-me-down mythologies of salvation and transition. No transcendental beyond for us, but rather the thing itself.

Of course in the end things do not end well for Vastarien. Locked away in an insane asylum we discover that the interns have daily to inject him with passivators, because he reads and rereads a certain book that will not go away. Oh, no, not they have not tried. They have. But the book always returns to its victim releasing the dark torments that he sought for so long…

This short story reminds us that underneath the veneer of our homely lives lays an order of the unreal, a void of the void, a darker structure of strangeness and disquiet that over millennia of techniques we have managed to build for ourselves a prison house of Reason to fend off and keep at bay the truth of this mad realm. Every once in a while a creature will break through the barriers of this prison of Reason we’ve trapped ourselves in, this normalcy and consensual hallucination of culture and sanity we call modern civilization. If one manages such an act of violence against the order of the real and Reason he/she is quickly imprisoned and barred from the normals, hidden behind professional medical systems and the Law. But in our time the vast prison is crumbling and the light of the unreal has been slowly seeping into our world from the great Outside. Oh, we turn a blind eye to it, we find scapegoats and madmen to fill the chinks and gaps with reasonable explanations and explanada. We hide in our artificial prisons of language and culture and carry on our lives as if the enemy is not us but some false system of religious or philosophical bullshit. We reach out to the sciences to find the answers promised us. We shift our fears of the haunted landscapes from the past to the ever-present threats of war, famine, and apocalypse. The whole genre of children utopian novels, or that of Apocalypse culture seem to bare witness to this as a traversing of the fantasy that is our times. These fears keep our minds preoccupied and allow us to forget the pull of the unreal just below the surface of our artificial climes. We’ve become so enamored of our prison that we’ve forgotten there ever was a great outdoors of Being inhabited by nightmares. Instead we live in a narrow prison of consciousness feeding each other the sincere lies of our immediate and daily lives of survival and propagation. Our keepers patrol the horizon of our world seeking out those who have found the escape routes back into the void, and with the power and dominion of the Law and State they incarcerate and imprison those who are so bold as to offer a vision of the unreal realms. For our world is a tidy and normal world controlled to keep us passivated and herd like in our mental straightjackets. We are the victims of our own success.
​
Authors like Ligotti hint at the brokenness of our world, open the door onto those strange and misplaced realms we’ve all forgotten except in the deep imaginaries of our nightmares.

A Philosophical Coda

​As I was thinking about Ligotti’s tale of the Book that is a World I remembered that congenial author short stories Jorge-Luis Borges (a favorite author!). In one of his most often anthologized stories, Tlön, Uqbar, Orbis Tertius, he imagines an entirely hypothetical world, the invention of a secret society of scholars who elaborate its every aspect in a surreptitious encyclopedia. This First Encyclopedia of Tlön (what fictionist would not wish to have dreamed up the Britannica?) describes a coherent alternative to this world complete in every respect from its algebra to its fire, Borges tells us, and of such imaginative power that, once conceived, it begins to obtrude itself into and eventually to supplant our prior reality.2
​
Borges would hint at the possibility that our universe is itself a regressus in infinitum – and, that we are all repeating the gestures of a circuit that has no outlet (its all been done before!). This illustrates Zeno’s paradox of Achilles and the Tortoise which embodies a regressus in infinitum which Borges carries through philosophical history, pointing out that Aristotle uses it to refute Plato’s theory of forms, Hume to refute the possibility of cause and effect, Lewis Carroll to refute syllogistic deduction, William James to refute the notion of temporal passage, and Bradley to refute the general possibility of logical relations. Borges himself uses it, citing Schopenhauer, as evidence that the world is our dream, our idea, in which “tenuous and eternal crevices of unreason” can be found to remind us that our creation is false, or at least fictive. It’s in this sense that Ligotti poses the addition or subtraction of the Unreal from the real, that we are all part and partial of an infinite regression into the spurious realms of a universal nightmare of Reason. (see John Barth below)

Thinking through this notion of the breakdown of our worldview, of Zizek’s big Other – the Symbolic Culture we’ve built up over eons to enclose us in a realm of safety and apathy in which our accepted horizon of what is real and unreal, of the commonsense realm of our everyday life that goes without saying, almost a background noise of inertia and total blindness, brought me back to my recent readings in philosophy of how our end game of present society is breaking apart into fragments – a Humpty-Dumpty vision of the crumbling of Western and Eastern and Middle-East civilizations into so many broken pieces that no one will ever be able to put it back together again. Which leaves us in this intermediary period of a void, a black hole in the fabric of fictions we’ve been telling ourselves for so many millennia we began to think that it was permanent. Instead we find ourselves being impinged on by other realms, realms of the Real that we had forgotten existed because we were so well policed in our imaginations by the media lords of our age into accepting the truths of philosophy and the sciences as the end-all-be-all of our view of existence. Instead our psychotic break with the past is leaving us in a quandary in which our whole world civilization is at war for a new worldview. Ligotti’s vision of the unreal and existing in the “ruins of the real” hints at this unraveling of the symbolic order that has imprisoned us for so long that it became habit.
So in our paranoid state of fear and trepidation we grasp at any past, any tradition, anything at all that will give us hope from despair, etc., all the while believing we can restore the age old dream of a utopian society of peace and plenty. Instead we produce more friction, more war, suicides, hate, fear, and the mingling of age old superstitions. As the dark waters of the Real seep in from the Great Outdoors of Being we are frightened to death, not understanding that this is needed, that to free ourselves of the burden of our past, our traditions, our prisons we must step out into the ocean of the void and begin again…
​
Like the Shamans of old Ligotti has seen into this strange new realm of the (Un)Real. The “contamination of reality by dream,” as Borges calls it, or in Ligotti’s tormented pessimism the contamination of the real by nightmares. In one of his other stories Dream of a Mannikin the narrator will hint at the solipsistic nightmare of a self-reflexive universe of despair we’ve all created for ourselves and have become passive and apathetic mannikins:
Contemplating the realm of Miss Locher’s dream, I came to deeply feel that old truism of a solipsistic dream deity commanding all it sees, all of which is only itself. And a corollary to solipsism even occurred to me: if, in any dream of a universe, one has to always allow that there is another, waking universe, then the problem becomes, as with our Chinese sleepyhead, knowing when one is actually dreaming and what form the waking self may have; and this one can never know. The fact that the overwhelming majority of thinkers rejects any doctrine of solipsism suggests the basic horror and disgusting unreality of its implications. And after all, the horrific feeling of unreality is much more prevalent (to certain people) in what we call human “reality” than in human dreams, where everything is absolutely real.3
​This reversal and dialectical move or inversion of the real/unreal in the awakening of many of Ligotti’s anti-protagonists give hint of this underlying theme of the unreal world impinging upon our safe have of utter mindlessness and generative madness. For in this sense as Zizek has repeatedly show Reason is not the obverse of madness but its completed mask.
​
The narrator in the Sect of the Idiot will offer this
The extraordinary is a province of the solitary soul. Lost the very moment the crowd comes into view, it remains within the great hollows of dreams, an infinitely secluded place that prepares itself for your arrival, and for mine. Extraordinary joy, extraordinary pain—the fearful poles of the world that both menaces and surpasses this one. It is a miraculous hell towards which one unknowingly wanders. And its gate, in my case, was an old town—whose allegiance to the unreal inspired my soul with a holy madness long before my body had come to dwell in that incomparable place.4
​Again this opening to the unreal, to those locus miraculous sites of explosion and seeping, those gaps in the contours of our safe world of sleep that harbor doors into the unknown. “No true challenge to the rich unreality of Vastarien, where every shape suggested a thousand others, every sound disseminated everlasting echoes, every word founded a world. No horror, no joy was the equal of the abysmally vibrant sensations known in this place that was elsewhere, this spellbinding retreat where all experiences were interwoven to compose fantastic textures of feeling, a fine and dark tracery of limitless patterns. For everything in the unreal points to the infinite, and everything in Vastarien was unreal, unbounded by the tangible lie of existing.”5  This notion of Vastarien as a place, a site of the unreal, a realm apart and away, elsewhere from our everyday mundanity and sleeplessness: our somnambulism and death-drive repetition of safety and mere motionless movement.
​
Again in the short tale The Mystics of Muelenburg the narrator relates
I once knew a man who claimed that, overnight, all the solid shapes of existence had been replaced by cheap substitutes: trees made of flimsy posterboard, houses built of colored foam, whole landscapes composed of hair-clippings. His own flesh, he said, was now just so much putty. Needless to add, this acquaintance had deserted the cause of appearances and could no longer be depended on to stick to the common story. Alone he had wandered into a tale of another sort altogether; for him, all things now participated in this nightmare of nonsense. But although his revelations conflicted with the lesser forms of truth, nonetheless he did live in the light of a greater truth: that all is unreal. Within him this knowledge was vividly present down to his very bones, which had been newly simulated by a compound of mud and dust and ashes.6
This openness to the madness of our fake world in which only the madman has returned to tell a tale of the unreal reality of our own world while hinting at the greater truth of another realm situated not just beyond appearances (which is still the old Platonic two-world hash), but of this world seen as it truly is from a new perspective. The mad poet William Blake once sang of this:
“If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern.”
― William Blake, The Marriage of Heaven and Hell
The narrator in Mrs. Rinaldi’s Angel explains how fragile our supposed real world of common sense reality truly is, saying,
​How well I knew such surroundings, those deep interiors of dream where everything is saturated with unreality and more or less dissolves under a direct gaze. I could tell how neatly this particular interior was arranged—pictures perfectly straight and tight against the walls, well-dusted figurines arranged along open shelves, lace-fringed tablecovers set precisely in place, and delicate silk flowers in slim vases of colored glass. Yet there was something so fragile about the balance of these things, as if they were all susceptible to sudden derangement should there be some upset, no matter how subtle, in the secret system which held them together.7
Again we ask is the Kant re-written from the perspective of a critique of pure reason, but rather of a critique of pure madness? And if we see within the confines of this critique the maps of a world which is ours seen not through the safe eyes of Reason but through the indirect appeal – not of unreason, but of the unreal itself, then could we say that our world is itself the very thing, the book, the place and site of the Unreal? There being no Platonic other world, no safe haven beyond appearances, but rather the appearance of appearance as manifest madness. But then what is this madness that Reason fears? If madness is the ground of Reason, and Reason is itself a form of and horizon of madness, then is it possible that Reason is but the attempt to bind with magical force the power of the Unreal surrounding us?

Another mad poet Arthur Rimbaud would apprehend this at a youthful age then renounce the path, but before living on into a dead world he would write:
​“The first study for the man who wants to be a poet is knowledge of himself, complete: he searches for his soul, he inspects it, he puts it to the test, he learns it. As soon as he has learned it, he must cultivate it! I say that one must be a seer, make oneself a seer. The poet becomes a seer through a long, immense, and reasoned derangement of all the senses. All shapes of love suffering, madness. He searches himself, he exhausts all poisons in himself, to keep only the quintessences. Ineffable torture where he needs all his faith, all his superhuman strength, where he becomes among all men the great patient, the great criminal, the great accursed one–and the supreme Scholar! For he reaches the unknown! ….So the poet is actually a thief of Fire!” (see)
​This combination of criminal, accursed one, and scholar brought into unison seems apt for Ligotti as well. A slow and methodical derangement of the senses that bind us to the culture of Reason, the big Other and Symbolic Order of the real in which we are imprisoned suddenly falling away revealing a realm of torment and paradisial wonder. And, yet, even the average citizen of this faded dream of the Real can still stumble upon those places of power that lead to the Unreal:
​For there are certain places that exist on the wayside of the real: a house, a street, even entire towns which have claims upon them by virtue of some nameless affinity with the most remote orders of being. They are, these places, fertile ground for the unreal and retain the minimum of immunity against exotic disorders and aberrations. Their concessions to a given fashion of reality are only placating gestures, a way of stifling it through limited acceptance.8
​A sort of minimalism of our current prison world in which the lineaments of the unreal shine through, but only through the very protected power of the inhabitants of this borderland of the unknown. In fact the “citizens of such a place are custodians of a rare property, a precious estate whose true owners are momentarily absent. All that remains before full proprietorship of the land may be assumed is the planting of a single seed and its nurturing over a sufficient period of time, an interval that has nothing to do with the hours and days of the world.”9
​
A final quote:
​No one gives up on something until it turns on them, whether or not that thing is real or unreal.
​—Thomas Ligotti, Teatro Grottesco
​
  1. Thomas Ligotti. The Nightmare Factory  Kindle Edition.
  2. John Barth. The Friday Book (Kindle Locations 1452-1456). G. P. Putnam’s Sons. Kindle Edition.
  3. Thomas Ligotti. The Nightmare Factory (Kindle Locations 1080-1086). Kindle Edition.
  4. Thomas Ligotti. The Nightmare Factory (Kindle Locations 2992-2997). Kindle Edition.
  5. Thomas Ligotti. The Nightmare Factory (Kindle Locations 3541-3545). Kindle Edition.
  6. Thomas Ligotti. The Nightmare Factory (Kindle Locations 5285-5291). Kindle Edition.
  7. Thomas Ligotti. The Nightmare Factory (Kindle Locations 7407-7411). Kindle Edition.
  8. Thomas Ligotti. The Nightmare Factory (Kindle Locations 7878-7881). Kindle Edition.
  9. Thomas Ligotti. The Nightmare Factory (Kindle Locations 7883-7885). Kindle Edition.
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    Max.Ernst - RE (M) O THE R
    Max.Ernst - REMOTHERING 2 / BIG MOTHER (RENAISSANCE)
    Michael James - THE OPPORTUNITY OF NIHILISM
    Michael James - THE POEMEMENON: FORM AS OCCULT TECHNOLOGY | AMY IRELAND
    Speculating Freedom: Addiction, Control and Rescriptive Subjectivity in the Work of William S. Burroughs
    Yvette Granata - THE REPETITION OF GENERIC GNOSTIC MATRICES
    Yvette Granata - SUPERFICIE D E S CONTINENTS
    Wang and Raj - Deep learning
    Interview With William S. Burroughs
    William S. Burroughs, Laughter and the Avant-Garde
    William S. Burroughs - Last Words
    William S. Burroughs- Cutting up Politics (Part 1)
    William S. Burroughs - Cutting up Politics (Part 2)
    Burroughs's Writing Machines
    William S. Burroughs - Fold-ins
    New World Ordure: Burroughs, Globalization and The grotesque
    Nothing Hear Now but the Recordings : Burroughs’s ‘Double Resonance’
    Ron Roberts - The High Priest and the Great Beast at 'The Place of Dead Roads'
    Slavoj Žižek - 'Is there a post-human god?'
    Slavoj Žižek - Welcome To The Desert Of 'Post-Ideology'
    Jacques Ranciere - Disagreement (POLITICS AND PHILOSOPHY)
    Jacques Rancière - POLITICS AND AESTHETICS
    Jacques Ranciere - An Intellectual Adventure (Part 1)
    Jacques Rancière - An Intellectual Adventure (Part 2)
    Jacques Rancière - Of Brains and Leaves,
    Jacques Rancière - A Will Served by an Intelligence
    J.G. Ballard - Towards The Summit
    J.G. Ballard - Fictions Of Every Kind
    J.G. Ballard - Rushing To Paradise
    J.G. Ballard - Why I Want to Fuck Ronald Reagan
    J.G.Ballard - The Assassination of John Fitzgerald Kennedy Considered as a Downhill Motor Race
    J.G.Ballard - Up!
    J.G.Ballard - into the Drop Zone (High Rise) - part 9
    J.G.Ballard - The Vertical City
    J.G. Ballard - The Evening's Entertainment
    J.G.Ballard - Danger in the Streets of the Sky
    J.G.Ballard - CRASH (Chapter 1)
    J.G. Ballard - Crash (Chapter2)
    J.G.Ballard - Crash ( Chapter 6)
    J.G.Ballard - Crash (Chapter 15)
    J.G.Ballard - CRASH (Chapter 23)
    J. G. Ballard - Crash (Chapter 2 4.)
    Jean Baudrillard - For Whom Does the Knell of Politics Toll?
    Jean Baudrillard - Ecstasy Of The Social
    Jean Baudrillard - Virtuality and Events
    Jean Baudrillard - The Easiest Solutions
    Jean Baudrillard - The Mental Diaspora of the Networks
    Jean Baudrillard - The Intelligence of Evil
    Jason Moore - METABOLISMS, MARXISMS, & OTHER MINDFIELDS
    Joshua Carswell - EVALUATING DELEUZE’S “THE IMAGE OF THOUGHT” (1968) AS A PRECURSOR OF HYPERSTITION // PART 1
    Joshua Carswell - Evaluating Deleuze’s “The Image of Thought” (1968) as a Precursor of Hyperstition // Part 2
    Jose Rosales - ON THE END OF HISTORY & THE DEATH OF DESIRE (NOTES ON TIME AND NEGATIVITY IN BATAILLE’S ‘LETTRE Á X.’)
    Jose Rosales - BERGSONIAN SCIENCE-FICTION: KODWO ESHUN, GILLES DELEUZE, & THINKING THE REALITY OF TIME
    Jose Rosales - WHAT IS IT TO LIVE AND THINK LIKE GILLES CHÂTELET?
    Joseph Nechvatal - On the chaos magic art of Austin Osman Spare
    Lacan - Jouissance
    Horváth Márk and Lovász Ádám - The Emergence of Abstraction: Digital Anti-Aesthetics
    Marshall McLuhan - Les Liaisons Dangereuses
    Marshall McLuhan - MONEY (The Poor Man's Credit Card)
    Michel Foucault - Governmentality (Part 2)
    Michel Foucault - Governmentality (Part 1)
    Michel Foucault - Passion and Delirium (Part 1)
    Michel Foucault - PASSION AND DELIRIUM (Part2)
    Michel Foucault - The Subject and Power
    Michel Foucault and Gilles Deleuze - Intellectuals and power
    Guy Debord - Separation Perfected
    Guy Debord - Towards A Situationist International
    Guy Debord - Society Of The Spectale
    Guy Debord -REVOLUTION AND COUNTERREVOLUTION IN MODERN CULTURE
    Georges Bataille - Eye
    Georges Bataille - Popular Front in the Street
    Georges Battaile - Sacrifices
    Georges Bataille - The Sorcerer's Apprentice
    Georges Bataille - The Sacred Conspiracy
    Georges Bataille - The Pineal eye
    Georges Bataille - The Psychological Structure of Fascism
    Georges Bataille - The Labyrinth
    Georges Bataille - Nietzsche and the Fascists
    Georges battaille - Nietzschean Chronicle
    GILLES DELEUZE - On Spinoza (Part 1)
    GILLES DELEUZE - On Spinoza (Part 2)
    GILLES DELEUZE - On Spinoza (Part 3)
    GILLES DELEUZE - On Spinoza (Part 4)
    GILLES DELEUZE - On Spinoza (Part 5)
    GILLES DELEUZE - On Spinoza (Part 6)
    GILLES DELEUZE - On Spinoza (Part 7)
    GILLES DELEUZE - On Spinoza (Part 8)
    GILLES DELEUZE - On Spinoza (Part 9)
    GILLES DELEUZE - Capitalism, flows, the decoding of flows, capitalism and schizophrenia, psychoanalysis, Spinoza.
    Gilles deleuze -DIONYSUS AND CHRIST
    Gilles Deleuze - Dionysus and Zarathustra
    Gilles Deleuze - Repetition and Difference (Part 1)
    Gilles deleuze - Repetition and Difference (Part 2)
    Gilles Deleuze - D as in Desire
    Gilles Deleuze - A Portrait Of foucault
    Gilles Deleuze - The Philosophy of The Will
    Gilles Deleuze - Characteristics of Ressentiment
    Gilles Deleuze - Is he Good ? Is he Evil
    Gilles Deleuze - The Dicethrow
    Gilles Deleuze - Postscript On The Societies Of Control
    Gilles deleuze - The Types Of Signs
    Gilles Deleuze and Felix Guattari - The Imperialism of Oedipus
    Gilles Deleuze and Felix Guattari ​ - The Experience of Delirium
    Deleuze and Guattari - From Chaos to the Brain
    Deleuze and Guattari - The Plane of Immanence (Part 1)
    Deleuze and Guattari - The Plane Of Immanence (Part 2)
    Deleuze and Guattari - The War Machine is exterior to the State apparatus
    Deleuze and Guattari - Immanence and Desire
    Deleuze and Guattari - The Body Without Organs
    Deleuze and Guattari - Year Zero: Faciality
    Deleuze and Guattari - Desiring-Production
    Deleuze and Guattari - How do you make yourself a 'Body without Organs'?
    Deleuze and Guattari - Memories of a Sorcerer
    Deleuze and Guattari - Memories Of A Haecceity
    Deleuze and Guattari - Memories and Becomings, Points and Blocks
    Deleuze and Guattari - Fear, clarity, power and death
    Deleuze In Conversation With Negri
    Edmund Berger - DELEUZE, GUATTARI AND MARKET ANARCHISM
    Edmund Berger - Grungy “Accelerationism”
    Edmund Berger - Acceleration Now (or how we can stop fearing and learn to love chaos)
    Edmund Berger - Compensation and Escape
    Jasna Koteska - KAFKA, humorist (Part 1)
    Obsolete Capitalism: The strong of the future
    Obsolete Capitalism - THE STRONG OF THE FUTURE. NIETZSCHE’S ACCELERATIONIST FRAGMENT IN DELEUZE AND GUATTARI’S ANTI-OEDIPUS
    Obsolete Capitalism - Acceleration, Revolution and Money in Deleuze and Guattari's Anti-OEdipus (Part 1)
    Obsolete Capitalism - Acceleration, Revolution and Money in Deleuze and Guattari's Anti-OEdipus (Part 2)
    Obsolete Capitalism: Acceleration, Revolution and Money in Deleuze and Guattari's Anti-OEdipus (Part 3)
    Obsolete Capitalism - Acceleration, Revolution and Money in Deleuze and Guattari's Anti-OEdipus (Part 4)
    Obsolete Capitalism: Acceleration, Revolution and Money in Deleuze and Guattari's Anti-OEdipus (Part 5)
    Obsolete Capitalism - Deleuze and the algorithm of the Revolution
    Obsolete Capitalism - Dromology, Bolidism and Marxist Accelerationism (part 1)
    Obsolete Capitalism - Dromology, Bolidism and Marxist Accelerationism (part 2)
    Obsolete Capitalism - Edmund Berger: Underground Streams (Part 1)
    Obsolete Capitalism - Edmund Berger: Underground Streams (Part 2)
    obsolete capitalism - Emilia Marra: COMMIT MOOSBRUGGER FOR TRIAL
    Obsolete Capitalism - McKenzie Wark - BLACK ACCELERATIONISM
    Occult Xenosystems
    QUENTIN MEILLASSOUX AND FLORIAN HECKER TALK HYPERCHAOS: SPECULATIVE SOLUTION
    Ray Brassier Interviewed by Richard Marshall: Nihil Unbound: Enlightenment and Extinction
    Rick McGrath - Reconstructing High-Rise
    Robert Craig Baum - Non-Normal Living at the Ross School
    Robert Craig Baum - Arrivals (Part 1)
    Robert Craig Baum ​- Delays (Part 2)
    Robert Craig Baum ​​- Delays (Part 3)
    Robert Craig Baum - Departures (Part 4)
    Robert Craig Baum ​​- The Last God (Part 5)
    Sean Kohingarara Sturm - NOO POLITICS
    Sean Kohingarara Sturm - NOO POLITICS 2
    Simon Reynolds - Energy Flash
    Stephen Zepke - “THIS WORLD OF WILD PRODUCTION AND EXPLOSIVE DESIRE” – THE UNCONSCIOUS AND THE FUTURE IN FELIX GUATTARI
    Stephen Craig Hickman - A Rant...
    Steven Craig Hickman - Children of the Machine
    Steven Craig Hickman - Corporatism: The Soft Fascism of America
    Steven Craig Hickman - Is America Desiring Fascism?
    Steven Craig Hickman - Paul Virilio: The Rhythm of Time and Panic
    Steven Craig Hickman - Kurt Gödel, Number Theory, Nick Land and our Programmatic Future
    Steven Craig Hickman - Speculative Posthumanism: R. Scott Bakker, Mark Fisher and David Roden
    Steven Craig Hickman - Techno-Sorcery: Science, Capital, and Abstraction
    Steven Craig Hickman - Deleuze & Guattari: Abstract Machines & Chaos Theory
    Steven Craig Hickman - JFK: The National Security State and the Death of a President
    Steven Craig Hickman - Against Progressive Cultural Dictatorship
    Steven Craig Hickman - The Great Sea Change
    Steven Craig Hickman - The Daemonic Imaginal: Ecstasy and Horror of the Noumenon
    Steven Craig Hickman - William S. Burroughs: Drugs, Language, and Control
    Steven Craig Hickman - William Burroughs: Paranoia as Liberation Thanatology
    Steven Craig Hickman - The Mutant Prophet of Inhuman Accelerationism: Nick Land and his Legacy
    Steven Craig Hickman - Nick Land: On Time – Teleoplexy & Templexity
    Steven Craig Hickman - Philip K. Dick & Nick Land: Escape to the Future
    Steven Craig Hickman - Philip K. Dick: It’s Alive! – It came here from the future
    Steven Craig Hickman - Fantastic Worlds: From the Surreal to the Transreal
    Steven Craig Hickman - David Roden: Aliens Under The Skin
    Steven Craig Hickman - David Roden and the Posthuman Dilemma: Anti-Essentialism and the Question of Humanity
    Steven Craig Hickman - David Roden on Posthuman Life
    Steven Craig Hickman - David Roden’s: Speculative Posthumanism & the Future of Humanity (Part 2)
    Steven Craig Hickman - Ccru : The Hyperstitional Beast Emerges from its Cave
    Steven Craig Hickman - Sacred Violence: The Hyperstitional Order of Capitalism
    Steven Craig Hickman - The Apocalypse Happened Yesterday
    Steven Craig Hickman - The Intelligence of Capital: The Collapse of Politics in Contemporary Society
    Steven Craig Hickman - Nick Land: Time-Travel, Akashic Records, and Templexity
    Steven Craig Hickman - The Holographic Universe: Black Holes, Information, and the Mathematics
    Steven Craig Hickman - The Machinic Unconscious: Enslavement and Automation
    Steven Craig Hickman - The Carnival of Globalisation: Hyperstition, Surveillance, and the Empire of Reason
    Steven Craig Hickman - Gun Crazy Nation: Violence, Crime, and Sociopathy
    Steven Craig Hickman - Shaviro On The Neoliberal Strategy: Transgression and Accelerationist Aesthetics
    Steven Craig Hickman - La Sorcière: Jules Michelet and the Literature of Evil
    Steven Craig Hickman - American Atrocity: The Stylization of Violence
    Steven Craig Hickman - Lemurian Time Sorcery: Ccru and the Reality Studio
    Steven Craig Hickman - The Consumertariat: Infopocalypse and the Pathologies of Information
    Steven Craig Hickman - Hyperstition: The Apocalypse of Intelligence
    Steven Craig Hickman - The Neoliberal Vision: The Great Escape Artist
    Steven Craig Hickman - The Next Stage
    Steven Craig Hickman - Why Am I Writing Country Noir?
    Steven Craig Hickman - Bataille’s Gift: Wealth, Toxicity, and Apocalypse
    Steven Craig Hickman - Deleuze & Guattari: The Eternal Return of Accelerating Capital
    Steven Craig Hickman - Deleuze & Guattari On the Empire of Capital: The Dog that wants to Die
    Steven Craig Hickman - Deleuze & Guattari: The Eternal Return of Accelerating Capital
    Steven Craig Hickman - Deleuze & Guattari: The Subterranean Forces of Social Production
    Steven Craig Hickman - The Betrayal of Leaders: Reading the Interviews with Deleuze and Guattari
    Steven Craig Hickman - J.G. Ballard: Sleeplessness and Chronotopia
    Steven Craig Hickman - J.G. Ballard: The Carnival of Time
    Steven Craig Hickman - J.G. Ballard: The Fragile World
    Steven Craig Hickman - J.G. Ballard: The Calculus of Desire and Hope
    Steven Craig Hickman - Ballard’s World: Reactivation not Reaction
    Steven Craig Hickman - The Necrophilic Vision of J.G. Ballard
    Steven Craig Hickman - Crash Culture: Panic Shock, Semantic Apocalypse, and our Posthuman Future
    Steven Craig Hickman - J.G. Ballard: The Journey to Nowhere
    Steven Craig Hickman - J.G. Ballard: Chrontopia and Post-Consumerist Society
    Steven Craig Hickman - J.G. Ballard: Chronopolis – Time Cities and the Lost Future
    Steven Craig Hickman - Neurototalitarianism: Control in the Age of Stupidity
    Steven Craig Hickman - Thomas Ligotti: The Abyss of Radiance
    Steven Craig Hickman - Thomas Ligotti: The Red Tower
    Steven Craig Hickman - Thomas Ligotti: Dark Phenomenology and Abstract Horror
    Steven Craig Hickman - Thomas Ligotti: The Frolic and the Wyrd (Weird)
    Steven Craig Hickman - Thomas Ligotti, Miami: The Collapse of the Real
    Steven Craig Hickman - Thomas Ligotti: Vastarien’s Dream Quest
    Steven Craig Hickman - The Epoch of Care: Transindividuation and Technical Individuals
    Steven Craig Hickman - Rethinking Conceptual Universes
    Steven Craig Hickman - Bataille’s Revenge
    Steven Craig Hickman - The Excess of Matter: Bataille, Immanence, and Death
    Steven Craig Hickman - Hyperstition: Metafiction and the Landian Cosmos
    Steven Craig Hickman - Babalon Rising: Amy Ireland, Artificial Intelligence, and Occulture
    Steven Craig Hickman - R. Scott Bakker: Reviews of Yuval Noah Harari’s Homo Deus
    Steven Craig Hickman - R. Scott Bakker: Medial Neglect and Black Boxes
    Steven Craig Hickman - Let Death Come Quickly
    Steven Craig Hickman - Hyperstition Notes: On Amy Ireland
    Steven Craig Hickman - Amy Ireland: Gyres, Diagrams, and Anastrophic Modernism
    Steven Craig Hickman - Accelerationism: Time, Technicity, and Superintelligence
    Steven Craig Hickman - Death & Capitalism: The Sublime War Machine
    Steven Craig Hickman - Deleuze & Guattari: Accelerationism – Diagnosis and Cure?
    Steven Craig Hickman - BwO – Deleuze and Guattari: The Impossible Thing We Are Becoming
    Steven Craig Hickman - Deleuze & Guattari: Culture of Death / Culture of Capital
    Steven Craig Hickman - Deleuze & Guattari & Braidotti: On Nomadic vs. Classical Image of Thought
    Steven Craig Hickman - Vita Activa: Deleuze against the Contemplative Life?
    Steven Craig Hickman - Deleuze’s Anti-Platonism
    Steven Craig Hickman - Deleuze: Transcendental Empiricist? – Fidelity and Betrayal
    Steven Craig Hickman - Poetic Thought for the Day : A Poetics of Sense & Concepts
    Steven Craig Hickman - Wild Empiricism: Deleuze and the Hermetic Turn
    Steven Craig Hickman - A Short History of the City and the Cathedral
    Steven Craig Hickman - Future Society: The Cathedral of Managed Society
    Steven Craig Hickman - Nick Land and Teleoplexy – The Schizoanalysis of Acceleration
    Steven Craig Hickman - Felix Guattari: The Schizo, the New Earth, and Subjectivation
    Steven Craig Hickman - The Gnostic Vision in the Sciences
    Steven Craig Hickman - François Laruelle: Future Struggle, Gnosis, and the last-Humaneity
    Steven Craig hickman - Smart Cities and Dark Neoliberalism
    Steven Craig Hickman - The Governance of the World
    Steven Craig Hickman - ON Dark Realism - Part One
    Steven Craig Hickman - ON Dark Realism: Part Two
    Steven Craig Hickman ​- ON Dark Realism: Part Three
    Steven Craig Hickman - In the time of capital
    Steven Craig Hickman - Niklas Luhmann: Mass-Media, Communications, and Paranoia
    Steven Craig Hickman - Deleuze/Guattari: ‘Stop the World!’
    Steven Craig Hickman - The Schizorevolutionary Project : Escaping to the Future of New Earth
    Steven Craig Hickman - Deleuze/Guattari: The Four Schizoanalytical Thesis
    Steven Craig Hickman - The Dark Side of Time
    Steven Craig Hickman - Digital Dionysus: R. Scott Bakker
    Steven Craig Hickman - Hyperstition: Technorevisionism – Influencing, Modifying and Updating Reality
    Steven Craig Hickman - Paul Virilio: The Anti-City
    Steven Craig Hickman - Maurizio Lazzarato: Homage to Felix Guattari
    Steven Craig Hickman - Phantom Monsters: Nationalism, Paranoia, and Political Control
    Steven Craig Hickman - Memory, Technicity, and the Post-Human
    Steven Shaviro - Accelerationism Without Accelerationism
    Steven Craig Hickman - Posthuman Accelerationism
    Steven Craig Hickman - The Age of Speed: Accelerationism, Politics, and the Future Present
    Steven Craig Hickman - Weird Tales: Essays and Other Assays
    Thomas Nail on Deleuze and Badiou - Revolution and the Return of Metaphysics
    Terence Blake - LOVECRAFT NOETIC DREAMER: from horrorism to cosmicism (Part 1)
    Terence Blake - LOVECRAFT NOETIC DREAMER: from horrorism to cosmicism (Part 2)
    Terence Blake - SYSTEM AND CLARITY IN DELEUZE’S OPUS
    Terence Blake - UNCONSCIOUS JUNGIANS
    Terence Blake - BADIOU’S HORSESHOE: substance vs sparks
    Terence Blake - ZIZEK, DELEUZE, JUNG: the analogical self versus the digital ego
    Terence Blake - THERE IS MADNESS IN THIS METHOD
    Terence Blake - IS OLD AGE A CONCEPT?: Notes on Deleuze and Guattari’s “What is Philosophy?” (1)
    Terence Blake - CONCEPTS OUT OF THE SHADOWS: Notes on Deleuze and Guattari’s “What is Philosophy?” (2)
    Terence Blake - TRANSVALUE DELEUZE: an ongoing project
    Terence Blake - DELEUZE: philosopher of difference or philosopher of multiplicity
    Terence Blake - CONVERSATION WITH DELEUZE: pluralist epistemology and life
    Terence Blake - LARUELLE AND DELEUZE: from difference to multiplicity
    Terence Blake - LARUELLE’S “QUANTUM”: nostalgic obscurity and the manipulation of stereotypes
    Terence Blake - LARUELLE AND WAVE ABSOLUTISM: against quantum integrism
    Terence Blake - LARUELLE’S BLINDSPOTS: Deleuze on style, heuristics, and the topography of thought
    Terence Blake - LARUELLE’S DE-PHILOSOPHY: confirmation bias legitimated
    terence blake - DELEUZE’S REPLY (1973) TO LARUELLE’S CRITIQUE (1995)
    Terence Blake - FROM NON-STANDARD TO SUB-STANDARD: Laruelle’s syntax of scientism
    Terence Blake - STIEGLER, “IDEOLOGY”, AND POST-STRUCTURALISM
    Terence Blake - Deleuze, Klossowski, and Hillman on psychic multiplicity
    Terence Blake - DELEUZE, BADIOU, LARUELLE, CIORAN: a plea for polychromatic vision
    Terence Blake - Do we need to escape from metaphysics?
    Terence Blake - DELEUZE’S PLURALIST AUTO-CRITIQUE
    Terence Blake - DELEUZE’S AGON: schizophrenising Lacan
    Terence Blake - GUATTARI “LINES OF FLIGHT” (1): the hypothesis of modes of semiotisation
    Terence Blake - GUATTARI’S LINES OF FLIGHT (2): transversal vs transferential approaches to the reading contract
    Terence Blake - Felix Guattari and Bernard Stiegler: Towards a Post-Darwinian Synthesis
    Terence Blake - EXPLAINING A SENTENCE BY GUATTARI
    Terence Blake - CLEARING DELEUZE: Alexander Galloway and the New Clarity
    Terence Blake - DELEUZE: HOW CAN YOU STAND THOSE SCHIZOS?
    Terence Blake - No Cuts!: Deleuze and Hillman on Alterity
    Terence Blake - NOTES ON DELEUZE’S “LETTER TO A SEVERE CRITIC” (1): against Zizek
    Terence Blake - PRINCIPLES OF NON-PHILOSOPHY: creative tension or self-paralysing conflict
    Terence Blake - NOTES ON DELEUZE’S “LETTER TO A SEVERE CRITIC” (2): against Laruelle
    Terence Blake - NOTES ON DELEUZE’S “LETTER TO A SEVERE CRITIC” (3): against Badiou
    Terence Blake - DELEUZE WITHOUT LACAN: on being wary of the “middle” Deleuze
    Terence Blake - ON THE INCIPIT TO DELEUZE AND GUATTARI’S “WHAT IS PHILOSOPHY?”
    Tithi Bhattacharya / Gareth Dale - COVID CAPITALISM. GENERAL TENDENCIES, POSSIBLE “LEAPS”
    The German Ideology - Karl Marx and Friedrich Engels (excerpts)
    Reza Negarestani - Mene, Mene, Tekel, Upharsin (Reading Applied Ballardianism)
    Reza Negarestani - What Is Philosophy? Part 1: Axioms and Programs
    Reza Negarestani - What Is Philosophy? Part 2: Programs and Realizabilities
    H. P. Lovecraft - The Call of Cthulhu: Chapter 1: The Horror in Clay
    H. P. Lovecraft- The Call of Cthulhu: Chapter 2: The Tale of Inspector Legrasse
    H. P. Lovecraft - The Call of Cthulhu: Chapter 3: The Madness from the Sea
    Henry Bergson - One of the most famous and influential French philosophers
    Henri Bergson - Philosophical Intuition (Part 1)
    Henri Bergson - Philosophical Intuition (Part 2)
    Himanshu Damle - The Eclectics on Hyperstition. Collation Archives.
    Himanshu Damle - Killing Fields
    Himanshu Damle - Topology of Dark Networks
    Himanshu Damle - Games and Virtual Environments: Playing in the Dark. Could These be Havens for Criminal Networks?
    Himanshu Damle - OnionBots: Subverting Privacy Infrastructure for Cyber Attacks
    Himanshu Damle - Deanonymyzing ToR
    Himanshu Damle - A Time Traveler in Gödel Spacetime
    Himanshu Damle - Evolutionary Game Theory
    Himanshu Damle - 10 or 11 Dimensions? Phenomenological Conundrum
    Himanshu Damle - Geometry and Localization: An Unholy Alliance?
    Himanshu Damle - Typicality. Cosmological Constant and Boltzmann Brains.
    Himanshu Damle - Production of the Schizoid, End of Capitalism and Laruelle’s Radical Immanence
    Himanshu Damle - Where Hegel Was, There Deconstruction Shall Be:
    Himanshu Damle - Something Out of Almost Nothing. Drunken Risibility.
    ​Himanshu Damle - Hegelian Marxism of Lukács: Philosophy as Systematization of Ideology and Politics as Manipulation of Ideology.
    Himanshu Damle - Orthodoxy of the Neoclassical Synthesis
    Himanshu Damle - Intuition
    Himanshu Damle - Transcendentally Realist Modality
    Himanshu Damle - Dark Matter as an Ode to Ma Kali.
    Himanshu Damle - Knowledge Within and Without: The Upanishadic Tradition (1)
    Himanshu Damle - |, ||, |||, ||||| . The Non-Metaphysics of Unprediction.
    Himanshu damle - Philosophy of Dimensions: M-Theory.
    Himanshu Damle - Quantum Informational Biochemistry
    Himanshu Damle - Accelerated Capital as an Anathema to the Principles of Communicative Action
    Hyperstitional Carriers
    Hyperstition - Sorcerers and Necromancers: sorcery and the line of escape part II
    Hyperstition - Sorcerers and Necromancers: lines of escape or wings of the ground? part IV
    Nick Land - Cathedralism
    Nick Land - An Interview: ‘THE ONLY THING I WOULD IMPOSE IS FRAGMENTATION’
    Nick Land - Teleoplexy (Notes on Acceleration)
    Nick Land - The unconscious is not an aspirational unity but an operative swarm
    Nick Land - The curse of the sun (Part 1)
    Nick Land - The curse of the sun (Part 2)
    Nick Land - The curse of the sun (Part 3)
    Nick Land - Transgression (Part 1)
    Nick Land - Spirit and Teeth
    Nick Land - Occultures (Part 1)
    Nick Land - Occultures (Part 2)
    Nick Land - A Dirty Joke
    N Y X U S - Traffic
    Paul Virilio - Interview : TERROR IS THE REALIZATION OF THE LAW OF MOVEMENT
    Paul Virilio - Interview: ADMINISTRATING FEAR: TOWARDS CIVIL DISSUASION
    Paul Virilio - Interview : Speed-Space
    Paul Virilio - a topographical Amnesia
    Paul Virilio - Public Image
    Paul Virilio - The vision Machine ( Part 1)
    Paul Virilio - The Vision Machine (Part 2)
    Paul Virilio - The Information Bomb: A Conversation
    Peter Zhang - The four ecologies, postevolution and singularity
    Peter Zhang and Eric Jenkins - Deleuze the Media Ecologist? Extensions of and Advances on McLuhan
    vastabrupt - Time War // Briefing for Neolemurian Agents
    XENOBUDDHISM - NONORIENTED ACCELERATIONISM
    Xenosystems - Meta-Neocameralism
    XENOMACHINES - Fiction as Method: Bergson
    youandwhosearmy? - BERGSONIAN SCIENCE-FICTION: DELEUZE, ESHUN, AND THINKING THE REALITY OF TIME

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