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Why Am I Writing Country Noir?

10/13/2017

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by Steven Craig Hickman
Picture
Sometime I’m going to do a blog post on the Followmeter about watching my followers rise and fall according to if I’m writing essays, politics, stories, poetry, or philosophy… I get a laugh at how I gain or lose people following me based on assumptions.  It’s like a comedy meter for me watching people come and go so anonymously without ever knowing why … we live on the net in our private hells, and other lonely people wander by, sit for a while, listen to us patter about nonsense, then leave for parts unknown without ever leaving a trace except the little meter ball that flicks up or down… sad really that communication and community have become nothing more than a button pushed or unpushed; a like or not like button world, a sort of preview of the next wave of our automated society as the neutered minds of the mobile phone generation fade in or fade out based on whim. I joined Wattpad recently and was told to shorten all my stories into small chunks so all the millions of mobile phone users could flip through my stories easier. We’ve become a mobile nation that sees the 3 inch screen of a diode while the rest of the universe goes unnoticed and expelled from consciousness like a faded dream of reality that has been replaced by this plug’n play universe of text messages, and photomatrilia extravaganzas and youtube spawn casts… yet, a funny thing about technology, it comes back to bite you in the ass. Yes, it does. Now mobiles have become weapons and spies onto the corruptions of the world, letting the darkness seep into the viral plumage of this worldwide monster, with her webbing strung across nations and the planet to link the underworlds together in some nefarious three-ring circus of pornography, sex-slaves, and cyberwarfare. Now the world has come home to the small towns across this ancient land, dispersed its meth and heroin, its broken love and sweet promises of foreign dreams to buy and bring home to roost. Our world is no longer separate and alone, but very much overcrowded by monsters everywhere in this virtual nation of horrors. Now you can hide among the darkest corners of the darknet and commit acts of fatal madness and never leave your porch where the old hound dog is sleeping. Now the country is a hellzone for predatory minds everywhere, unbounded by the old causal chains of physical prowess it can move among the symbolic waves like a spring board to catastrophes never dreamed of in the pulp age.
Just a note: If you confuse my fiction with my personal thought and beliefs then you’ve a problem. I may satirize and portray a world I rose up from and out of in my fiction, but to assume the attitudes portrayed are my very own would be a misnomer: —big time. I think people do the same with my wanderings in contemporary philosophy as well. People get pissed off about me writing about various philosophers as if every thinker I write about I advocate and agree with. Strange, how many people that follow me probably confuse the two… sadly.
​
I think if you’d ever read Country, Redneck, or Hilly Billy Noir you’d discover that for the most part these writer’s write about waylaying the dark demons eating at their minds and lives; the terrible abuses of society, family, war, work, or just life. Most of them reach into that dark place where they can chomp down on the sump of that broken world of bigots, racists, scoundrels, misfits and releasing onto that white page the pinned up and repressed suffering of a hellworld lost in the heartland of their misery. Then seeking a way of letting those voices of the dead and the living speak out in their cold or hot raging silences, unleashing the malevolent and malformed intent at the heart of so much bittersweet life so as to form that needful ritual of exorcism and expulsion. In that world there aren’t any ghosts haunting the highways, only demons and killers of real flesh and blood, hate mongers and monsters who live in one’s own home, members of one’s family or next door neighbors; or who work for County, or teach one’s kids, or stand there smiling at the Bank when you walk up for money, or help that Old Lady across the street and by your child a snow cone or cotton candy; or who watch from the alleyways and dark places in the dank cracks of the night world of town or city waiting, peaking, looking for the chance to apply their malignant spirit against anything and everything that goes by the name human.
Country noir delivers up monsters, shapeshifting demons who on the surface act like us, look like us, pretend and fake our patterns and our ways of being, all to get closer to us so they can enact their horrid crimes or induce us to join in their hellish festivities. It’s about these wicked beings with human masks that is the specialty of that writer who calls himself Country noir. But the demons aren’t supernatural or unnatural, their just not human; their the ones that never became human, who live in the darkness, breath it like it were honey, who live to kill and main and enjoy the nightworld of hate and spite and utter degradation and corruption of flesh and bone. These are the monsters of this deadly fiction of those enclosed realms of pain and sadness we call the noirish realms of fate.
​
As Leslie Fielder in his famous Love and Death in the American Novel showed us years ago the strange truth of our country that is whitewashed out of the big picture by the social media and mainstream pundits is that we’re a lost people full of spite and hate. From the country to the city we are a guilt ridden insane society full of psychopaths, sociopaths, and full-tilt killers, rapists, clowns, murderers, gangsters, pit-bull mulchers, gamblers, thieves, street-mean denizens of asphalt or the Twin Drive-In in the pot-head backwoods of shine or meth country worlds. If someone wanted to construct a vision of hell all they’d have to do is park it up at any country village or downtown megacity in the U.S.A. and ponder the quirky truth of the people passing them by on any single street of any region of these here States. It’s a giant crack-head’s paradise of cutthroats and scoundrels from one end to the other. And, while all those gated-communities that the Good People hide behind seem clean and pretty and sane, the truth is their more deadly than the homegrown subworlds of the Redneck and White Trash trailer worlds on the outskirts of the town. Yes, the rich and middle-class respectable are the Hollywood stars of inanity hiding the perversity of child molestation, incest, necrophilia, and the dark horse of violence where punk kids playing MMO’s full of death, torture, and endless gang wars on Space or Fantasy prime time TV or Reality Love and Big Brother’s weasels fending off the bite of the bullet for the last phase of winning the sweepstakes of ultimate scrum-creep fly-by goes down every night behind closed doors in the U.S. of A.
But the story that never gets told is the real story hidden in the cracks and crevices and cracks of actual peoples lives, instead all we get is the fake America of Hill Billy and Redneck squalor instead of the pain and suffering of people that lack medicine, health access; education in good rural schools, colleges, and universities; and, get plumed by the media and trivialized as stereotypical White Trash of Hollywood & Vine bullcorn TV shows and comedy routines on SNL. Instead of the sad truth of abused children and violence and all the lonely souls and outcasts who are left behind to rot and stew in their own private hells because of prejudice on both sides of the fence. The one’s that grow up to enact the same cruddy lives and violence of their parents, do the drugs or turn to alcohol, work some rotten twelve hour job at a factory or just live off welfare checks or ponder the cracked-up mythologies of the old American Myths. A world falling fast into oblivion where the old farmer’s and single family places have given way to the Great Combine fortunes of Mega Growers and Artificial Monsanto seed worlds that tie one to a fake world of natural growth and biogenetic horrors to come…
That the veneer of sanity that disguises itself most of the time is now even emerging on the National stage as we watch the two parties of Democrat and Republican put forth social misfits that at any other time would’ve been tar-and-feathered and run out of town on a pole. One need not go back to Mark Twain or Kurt Vonnegut to get one’s feel for the insanity. One can see it everyday on Twitter / Facebook / LinkedIn or any number of news sites, journals, horror mags, crime mags, weird tales mags, and that sub-genre I’ve been exploring of late some term Country noir (or Redneck or Hilly Billy noir). Death and the sex bomb typify every last thread of our world from the advertisement of fun and swim hijinks and shows and free rooms in Nevada or Las Vegas to the strip joints in an city one finds the perverts out in flocks roaming with gold dangling from their gleaming necks, teeth, and hands. While on our premiere academic campuses around the country one finds the date-rape squads or Club Suicide Mephistos, or the twisted fruits of city and country bound to each other’s identity squabbles for and against the political church of our age.
Even William Faulkner rewrote the Horror novel in terms of country parlance in Sanctuary. Sanctuary is the Horror Story as practiced from the time of Poe to that of Lovecraft and Stephen King. “Horrific” is, indeed, the word he customarily used to describe that novel-and horrific it is in good faith. Indeed, there are scarcely any of the stock effects of the horror genre, audio or video, which it lacks: from the tap-tap-tap of a blind man’s stick to the rustle of rats in a corncrib, the ominous thud of a muffled gunshot off scene, the crackle of flames from the lynch-mob’s bonfire, and the barely audible whisper of blood in Temple’s ravaged body. So, too, do the standard grotesques of the Gothic Romance abound: “crips” and “feebs” and freaks, not least of which is Popeye eye himself-more monster than human, more shadow than substance. “The black man,” Temple and Horace call him, aware perhaps that this is a traditional American name for the Devil. And there is, too, of course, the infamous bloody corncob, an icon of unspeakable evil, for which Sanctuary is remembered even by those who have never read it; though Faulkner alludes to it only briefly at a point where his horrific tale is nearly told.1
One must also remember that Sanctuary –the novel which Albert Camus believed to be the greatest of Faulkner’s fictions belongs to the most disreputable and unredeemable pop genre of all, being pornography, as the dictionary defines that pejorative term, “a portrayal of erotic behavior designed to cause sexual excitement” Though there are many such portrayals in Faulkner’s work of “erotic behavior;’ including such kinky subvarieties as pedophilia, necrophilia, incest and bestiality, Sanctuary was the only one of his books which its intended publisher refused at first to publish, presumably as too “dirty.” Yet it is in some ways the softest of soft porn-avoiding not only what were then still considered “dirty” words, but explicit descriptions in any words of the sex act itself. The brutal violation of Temple, for instance, is rendered solely in terms of her fantasies, climaxing in her hallucination of turning into a boy-popping a teeny-tiny penis; though, of course, that male organ is called by none of its grosser street names. (Fiedler, 159)
The Civil War is the watershed in Twain’s life between innocence and experience, childhood and manhood, joy and pain; but it is politically, of course, the dividing line between slavery and freedom. And Twain, who cannot deny either aspect, endures the contradiction of searching for a lost happiness he knows was sustained by an institution he is forced to recognize as his country’s greatest shame. It was the best he could dream: to be free as a boy in a world of slavery! Look at us now, a hundred plus years on and we still have that shame on us. Country noir is still working that trail of guilt and shame from a dark world of mistrust, egoists, hate, and bigoted rascals who inhabit those worst strains of the American Psyche, and will not go away. So in an age when people are being called down for “appropriating” someone else’s culture the only thing left for the White is to face his own black nights in hell, go back down that cesspool history of pain and suffering at the hands of those monstrous and demonic souls that gave us slavery, wife-beating, apocalypse culture, sexual perversities, chain-saw massacres, crime, horror, BDSM and all the strange and bewildering, not to say bizarre facets of the hidden side of country existence.  None of us White’s are innocent anymore, its way past that fake game; now is the time to look ourselves in the mirror of our own natural born predation and do something about it. Whitewashing it or moralizing it or pegging it with epithets of Left or Right politics isn’t going to cut it anymore. We have to know the truth of it, nothing else will do. Our gaze must turn back round, and down, and in and see the darkness of our own inhuman ways before we can begin to mend the hurt and open wounds in our nation. Country noir is as good a place as any to begin that process… that’s why I’m going to spend my time writing it, reading it, sharing it. That’s why I’m going to continue investigating the underpinning problems Country people are facing in their local regions as they watch the fake worlds of our Mediatocracracy as it builds its fantasy America full of fakes and division, chaos and dumbed down democracy. Since the new cultures of identity politics tells me to lay off appropriating other cultures in my works, then I’ll turn to my own dark world and begin there, just there where the pain and suffering begins right in my own backyard pond.
Most of our novels and short stories, plays and poetry are about the obsessions that drive us as Americans. Our mythologies if you will. The Left will castigate the Right-Wing myths of Mom, Apple Pie, and the Corn Cob pipe, while the Right will plug away at the New York intellectual, the egg-head, and the Ivy League snob. These are the clichés of culture rather than the complex hurt below the skin, the pain and suffering that hits below the belt and speaks to us of the reality beyond the myths. It’s that reality where people live and die that goes under the wire in most things. In my little comic-micro flash tale of a Snitch I used the standard cliché to a point to show the linguistic underpinnings of our complicity in dark humor and the portrayal of violence. Most will be offended on the Left, while those on the Right would laugh but miss the point. It’s this wavering between the two that interests me, to see how people react to discursive violence, harsh language, the darker side of American heritage, etc. Of course most people coming to my site either have nothing to say, don’t want to say anything, or tell the truth… I have no clue why people come to my site. Yet, they do. If I write philosophy I get followers for that, same for poetry, essays, stories, satire, militant venting of my political tirades, etc. But those that like one may not understand or share the other; and, yet, here I am a complexity even to myself with a multifarious need to work in many different forms of thought and feeling. Why be bound by one type of writing? I see people on Face Book who do one thing monotonously over and over: they do nothing more that repost the reposts of other reposts of news that is already fake of faked realities that spin tales of political or social rhetoric to sway people toward or against the fakeness of someone’s else’s fake world view. It’s as if we live in a fake world of puppeteers, each vying for the most fake thought possible.
So if I wander off into my own personal zones don’t mind me… you can always join the fake worlds of someone’s else’s fakes. Don’t let me stop you.
  1. Leslie Fiedler. The Devil Gets His Due: The Uncollected Essays of Leslie Fiedler (p. 159). Kindle Edition.
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    Deleuze and Guattari - Memories of a Sorcerer
    Deleuze and Guattari - Memories Of A Haecceity
    Deleuze and Guattari - Memories and Becomings, Points and Blocks
    Deleuze and Guattari - Fear, clarity, power and death
    Deleuze In Conversation With Negri
    Edmund Berger - DELEUZE, GUATTARI AND MARKET ANARCHISM
    Edmund Berger - Grungy “Accelerationism”
    Edmund Berger - Acceleration Now (or how we can stop fearing and learn to love chaos)
    Edmund Berger - Compensation and Escape
    Jasna Koteska - KAFKA, humorist (Part 1)
    Obsolete Capitalism: The strong of the future
    Obsolete Capitalism - THE STRONG OF THE FUTURE. NIETZSCHE’S ACCELERATIONIST FRAGMENT IN DELEUZE AND GUATTARI’S ANTI-OEDIPUS
    Obsolete Capitalism - Acceleration, Revolution and Money in Deleuze and Guattari's Anti-OEdipus (Part 1)
    Obsolete Capitalism - Acceleration, Revolution and Money in Deleuze and Guattari's Anti-OEdipus (Part 2)
    Obsolete Capitalism: Acceleration, Revolution and Money in Deleuze and Guattari's Anti-OEdipus (Part 3)
    Obsolete Capitalism - Acceleration, Revolution and Money in Deleuze and Guattari's Anti-OEdipus (Part 4)
    Obsolete Capitalism: Acceleration, Revolution and Money in Deleuze and Guattari's Anti-OEdipus (Part 5)
    Obsolete Capitalism - Deleuze and the algorithm of the Revolution
    Obsolete Capitalism - Dromology, Bolidism and Marxist Accelerationism (part 1)
    Obsolete Capitalism - Dromology, Bolidism and Marxist Accelerationism (part 2)
    Obsolete Capitalism - Edmund Berger: Underground Streams (Part 1)
    Obsolete Capitalism - Edmund Berger: Underground Streams (Part 2)
    obsolete capitalism - Emilia Marra: COMMIT MOOSBRUGGER FOR TRIAL
    Obsolete Capitalism - McKenzie Wark - BLACK ACCELERATIONISM
    Occult Xenosystems
    QUENTIN MEILLASSOUX AND FLORIAN HECKER TALK HYPERCHAOS: SPECULATIVE SOLUTION
    Ray Brassier Interviewed by Richard Marshall: Nihil Unbound: Enlightenment and Extinction
    Rick McGrath - Reconstructing High-Rise
    Robert Craig Baum - Non-Normal Living at the Ross School
    Robert Craig Baum - Arrivals (Part 1)
    Robert Craig Baum ​- Delays (Part 2)
    Robert Craig Baum ​​- Delays (Part 3)
    Robert Craig Baum - Departures (Part 4)
    Robert Craig Baum ​​- The Last God (Part 5)
    Sean Kohingarara Sturm - NOO POLITICS
    Sean Kohingarara Sturm - NOO POLITICS 2
    Simon Reynolds - Energy Flash
    Stephen Zepke - “THIS WORLD OF WILD PRODUCTION AND EXPLOSIVE DESIRE” – THE UNCONSCIOUS AND THE FUTURE IN FELIX GUATTARI
    Stephen Craig Hickman - A Rant...
    Steven Craig Hickman - Children of the Machine
    Steven Craig Hickman - Corporatism: The Soft Fascism of America
    Steven Craig Hickman - Is America Desiring Fascism?
    Steven Craig Hickman - Paul Virilio: The Rhythm of Time and Panic
    Steven Craig Hickman - Kurt Gödel, Number Theory, Nick Land and our Programmatic Future
    Steven Craig Hickman - Speculative Posthumanism: R. Scott Bakker, Mark Fisher and David Roden
    Steven Craig Hickman - Techno-Sorcery: Science, Capital, and Abstraction
    Steven Craig Hickman - Deleuze & Guattari: Abstract Machines & Chaos Theory
    Steven Craig Hickman - JFK: The National Security State and the Death of a President
    Steven Craig Hickman - Against Progressive Cultural Dictatorship
    Steven Craig Hickman - The Great Sea Change
    Steven Craig Hickman - The Daemonic Imaginal: Ecstasy and Horror of the Noumenon
    Steven Craig Hickman - William S. Burroughs: Drugs, Language, and Control
    Steven Craig Hickman - William Burroughs: Paranoia as Liberation Thanatology
    Steven Craig Hickman - The Mutant Prophet of Inhuman Accelerationism: Nick Land and his Legacy
    Steven Craig Hickman - Nick Land: On Time – Teleoplexy & Templexity
    Steven Craig Hickman - Philip K. Dick & Nick Land: Escape to the Future
    Steven Craig Hickman - Philip K. Dick: It’s Alive! – It came here from the future
    Steven Craig Hickman - Fantastic Worlds: From the Surreal to the Transreal
    Steven Craig Hickman - David Roden: Aliens Under The Skin
    Steven Craig Hickman - David Roden and the Posthuman Dilemma: Anti-Essentialism and the Question of Humanity
    Steven Craig Hickman - David Roden on Posthuman Life
    Steven Craig Hickman - David Roden’s: Speculative Posthumanism & the Future of Humanity (Part 2)
    Steven Craig Hickman - Ccru : The Hyperstitional Beast Emerges from its Cave
    Steven Craig Hickman - Sacred Violence: The Hyperstitional Order of Capitalism
    Steven Craig Hickman - The Apocalypse Happened Yesterday
    Steven Craig Hickman - The Intelligence of Capital: The Collapse of Politics in Contemporary Society
    Steven Craig Hickman - Nick Land: Time-Travel, Akashic Records, and Templexity
    Steven Craig Hickman - The Holographic Universe: Black Holes, Information, and the Mathematics
    Steven Craig Hickman - The Machinic Unconscious: Enslavement and Automation
    Steven Craig Hickman - The Carnival of Globalisation: Hyperstition, Surveillance, and the Empire of Reason
    Steven Craig Hickman - Gun Crazy Nation: Violence, Crime, and Sociopathy
    Steven Craig Hickman - Shaviro On The Neoliberal Strategy: Transgression and Accelerationist Aesthetics
    Steven Craig Hickman - La Sorcière: Jules Michelet and the Literature of Evil
    Steven Craig Hickman - American Atrocity: The Stylization of Violence
    Steven Craig Hickman - Lemurian Time Sorcery: Ccru and the Reality Studio
    Steven Craig Hickman - The Consumertariat: Infopocalypse and the Pathologies of Information
    Steven Craig Hickman - Hyperstition: The Apocalypse of Intelligence
    Steven Craig Hickman - The Neoliberal Vision: The Great Escape Artist
    Steven Craig Hickman - The Next Stage
    Steven Craig Hickman - Why Am I Writing Country Noir?
    Steven Craig Hickman - Bataille’s Gift: Wealth, Toxicity, and Apocalypse
    Steven Craig Hickman - Deleuze & Guattari: The Eternal Return of Accelerating Capital
    Steven Craig Hickman - Deleuze & Guattari On the Empire of Capital: The Dog that wants to Die
    Steven Craig Hickman - Deleuze & Guattari: The Eternal Return of Accelerating Capital
    Steven Craig Hickman - Deleuze & Guattari: The Subterranean Forces of Social Production
    Steven Craig Hickman - The Betrayal of Leaders: Reading the Interviews with Deleuze and Guattari
    Steven Craig Hickman - J.G. Ballard: Sleeplessness and Chronotopia
    Steven Craig Hickman - J.G. Ballard: The Carnival of Time
    Steven Craig Hickman - J.G. Ballard: The Fragile World
    Steven Craig Hickman - J.G. Ballard: The Calculus of Desire and Hope
    Steven Craig Hickman - Ballard’s World: Reactivation not Reaction
    Steven Craig Hickman - The Necrophilic Vision of J.G. Ballard
    Steven Craig Hickman - Crash Culture: Panic Shock, Semantic Apocalypse, and our Posthuman Future
    Steven Craig Hickman - J.G. Ballard: The Journey to Nowhere
    Steven Craig Hickman - J.G. Ballard: Chrontopia and Post-Consumerist Society
    Steven Craig Hickman - J.G. Ballard: Chronopolis – Time Cities and the Lost Future
    Steven Craig Hickman - Neurototalitarianism: Control in the Age of Stupidity
    Steven Craig Hickman - Thomas Ligotti: The Abyss of Radiance
    Steven Craig Hickman - Thomas Ligotti: The Red Tower
    Steven Craig Hickman - Thomas Ligotti: Dark Phenomenology and Abstract Horror
    Steven Craig Hickman - Thomas Ligotti: The Frolic and the Wyrd (Weird)
    Steven Craig Hickman - Thomas Ligotti, Miami: The Collapse of the Real
    Steven Craig Hickman - Thomas Ligotti: Vastarien’s Dream Quest
    Steven Craig Hickman - The Epoch of Care: Transindividuation and Technical Individuals
    Steven Craig Hickman - Rethinking Conceptual Universes
    Steven Craig Hickman - Bataille’s Revenge
    Steven Craig Hickman - The Excess of Matter: Bataille, Immanence, and Death
    Steven Craig Hickman - Hyperstition: Metafiction and the Landian Cosmos
    Steven Craig Hickman - Babalon Rising: Amy Ireland, Artificial Intelligence, and Occulture
    Steven Craig Hickman - R. Scott Bakker: Reviews of Yuval Noah Harari’s Homo Deus
    Steven Craig Hickman - R. Scott Bakker: Medial Neglect and Black Boxes
    Steven Craig Hickman - Let Death Come Quickly
    Steven Craig Hickman - Hyperstition Notes: On Amy Ireland
    Steven Craig Hickman - Amy Ireland: Gyres, Diagrams, and Anastrophic Modernism
    Steven Craig Hickman - Accelerationism: Time, Technicity, and Superintelligence
    Steven Craig Hickman - Death & Capitalism: The Sublime War Machine
    Steven Craig Hickman - Deleuze & Guattari: Accelerationism – Diagnosis and Cure?
    Steven Craig Hickman - BwO – Deleuze and Guattari: The Impossible Thing We Are Becoming
    Steven Craig Hickman - Deleuze & Guattari: Culture of Death / Culture of Capital
    Steven Craig Hickman - Deleuze & Guattari & Braidotti: On Nomadic vs. Classical Image of Thought
    Steven Craig Hickman - Vita Activa: Deleuze against the Contemplative Life?
    Steven Craig Hickman - Deleuze’s Anti-Platonism
    Steven Craig Hickman - Deleuze: Transcendental Empiricist? – Fidelity and Betrayal
    Steven Craig Hickman - Poetic Thought for the Day : A Poetics of Sense & Concepts
    Steven Craig Hickman - Wild Empiricism: Deleuze and the Hermetic Turn
    Steven Craig Hickman - A Short History of the City and the Cathedral
    Steven Craig Hickman - Future Society: The Cathedral of Managed Society
    Steven Craig Hickman - Nick Land and Teleoplexy – The Schizoanalysis of Acceleration
    Steven Craig Hickman - Felix Guattari: The Schizo, the New Earth, and Subjectivation
    Steven Craig Hickman - The Gnostic Vision in the Sciences
    Steven Craig Hickman - François Laruelle: Future Struggle, Gnosis, and the last-Humaneity
    Steven Craig hickman - Smart Cities and Dark Neoliberalism
    Steven Craig Hickman - The Governance of the World
    Steven Craig Hickman - ON Dark Realism - Part One
    Steven Craig Hickman - ON Dark Realism: Part Two
    Steven Craig Hickman ​- ON Dark Realism: Part Three
    Steven Craig Hickman - In the time of capital
    Steven Craig Hickman - Niklas Luhmann: Mass-Media, Communications, and Paranoia
    Steven Craig Hickman - Deleuze/Guattari: ‘Stop the World!’
    Steven Craig Hickman - The Schizorevolutionary Project : Escaping to the Future of New Earth
    Steven Craig Hickman - Deleuze/Guattari: The Four Schizoanalytical Thesis
    Steven Craig Hickman - The Dark Side of Time
    Steven Craig Hickman - Digital Dionysus: R. Scott Bakker
    Steven Craig Hickman - Hyperstition: Technorevisionism – Influencing, Modifying and Updating Reality
    Steven Craig Hickman - Paul Virilio: The Anti-City
    Steven Craig Hickman - Maurizio Lazzarato: Homage to Felix Guattari
    Steven Craig Hickman - Phantom Monsters: Nationalism, Paranoia, and Political Control
    Steven Craig Hickman - Memory, Technicity, and the Post-Human
    Steven Shaviro - Accelerationism Without Accelerationism
    Steven Craig Hickman - Posthuman Accelerationism
    Steven Craig Hickman - The Age of Speed: Accelerationism, Politics, and the Future Present
    Steven Craig Hickman - Weird Tales: Essays and Other Assays
    Thomas Nail on Deleuze and Badiou - Revolution and the Return of Metaphysics
    Terence Blake - LOVECRAFT NOETIC DREAMER: from horrorism to cosmicism (Part 1)
    Terence Blake - LOVECRAFT NOETIC DREAMER: from horrorism to cosmicism (Part 2)
    Terence Blake - SYSTEM AND CLARITY IN DELEUZE’S OPUS
    Terence Blake - UNCONSCIOUS JUNGIANS
    Terence Blake - BADIOU’S HORSESHOE: substance vs sparks
    Terence Blake - ZIZEK, DELEUZE, JUNG: the analogical self versus the digital ego
    Terence Blake - THERE IS MADNESS IN THIS METHOD
    Terence Blake - IS OLD AGE A CONCEPT?: Notes on Deleuze and Guattari’s “What is Philosophy?” (1)
    Terence Blake - CONCEPTS OUT OF THE SHADOWS: Notes on Deleuze and Guattari’s “What is Philosophy?” (2)
    Terence Blake - TRANSVALUE DELEUZE: an ongoing project
    Terence Blake - DELEUZE: philosopher of difference or philosopher of multiplicity
    Terence Blake - CONVERSATION WITH DELEUZE: pluralist epistemology and life
    Terence Blake - LARUELLE AND DELEUZE: from difference to multiplicity
    Terence Blake - LARUELLE’S “QUANTUM”: nostalgic obscurity and the manipulation of stereotypes
    Terence Blake - LARUELLE AND WAVE ABSOLUTISM: against quantum integrism
    Terence Blake - LARUELLE’S BLINDSPOTS: Deleuze on style, heuristics, and the topography of thought
    Terence Blake - LARUELLE’S DE-PHILOSOPHY: confirmation bias legitimated
    terence blake - DELEUZE’S REPLY (1973) TO LARUELLE’S CRITIQUE (1995)
    Terence Blake - FROM NON-STANDARD TO SUB-STANDARD: Laruelle’s syntax of scientism
    Terence Blake - STIEGLER, “IDEOLOGY”, AND POST-STRUCTURALISM
    Terence Blake - Deleuze, Klossowski, and Hillman on psychic multiplicity
    Terence Blake - DELEUZE, BADIOU, LARUELLE, CIORAN: a plea for polychromatic vision
    Terence Blake - Do we need to escape from metaphysics?
    Terence Blake - DELEUZE’S PLURALIST AUTO-CRITIQUE
    Terence Blake - DELEUZE’S AGON: schizophrenising Lacan
    Terence Blake - GUATTARI “LINES OF FLIGHT” (1): the hypothesis of modes of semiotisation
    Terence Blake - GUATTARI’S LINES OF FLIGHT (2): transversal vs transferential approaches to the reading contract
    Terence Blake - Felix Guattari and Bernard Stiegler: Towards a Post-Darwinian Synthesis
    Terence Blake - EXPLAINING A SENTENCE BY GUATTARI
    Terence Blake - CLEARING DELEUZE: Alexander Galloway and the New Clarity
    Terence Blake - DELEUZE: HOW CAN YOU STAND THOSE SCHIZOS?
    Terence Blake - No Cuts!: Deleuze and Hillman on Alterity
    Terence Blake - NOTES ON DELEUZE’S “LETTER TO A SEVERE CRITIC” (1): against Zizek
    Terence Blake - PRINCIPLES OF NON-PHILOSOPHY: creative tension or self-paralysing conflict
    Terence Blake - NOTES ON DELEUZE’S “LETTER TO A SEVERE CRITIC” (2): against Laruelle
    Terence Blake - NOTES ON DELEUZE’S “LETTER TO A SEVERE CRITIC” (3): against Badiou
    Terence Blake - DELEUZE WITHOUT LACAN: on being wary of the “middle” Deleuze
    Terence Blake - ON THE INCIPIT TO DELEUZE AND GUATTARI’S “WHAT IS PHILOSOPHY?”
    Tithi Bhattacharya / Gareth Dale - COVID CAPITALISM. GENERAL TENDENCIES, POSSIBLE “LEAPS”
    The German Ideology - Karl Marx and Friedrich Engels (excerpts)
    Reza Negarestani - Mene, Mene, Tekel, Upharsin (Reading Applied Ballardianism)
    Reza Negarestani - What Is Philosophy? Part 1: Axioms and Programs
    Reza Negarestani - What Is Philosophy? Part 2: Programs and Realizabilities
    H. P. Lovecraft - The Call of Cthulhu: Chapter 1: The Horror in Clay
    H. P. Lovecraft- The Call of Cthulhu: Chapter 2: The Tale of Inspector Legrasse
    H. P. Lovecraft - The Call of Cthulhu: Chapter 3: The Madness from the Sea
    Henry Bergson - One of the most famous and influential French philosophers
    Henri Bergson - Philosophical Intuition (Part 1)
    Henri Bergson - Philosophical Intuition (Part 2)
    Himanshu Damle - The Eclectics on Hyperstition. Collation Archives.
    Himanshu Damle - Killing Fields
    Himanshu Damle - Topology of Dark Networks
    Himanshu Damle - Games and Virtual Environments: Playing in the Dark. Could These be Havens for Criminal Networks?
    Himanshu Damle - OnionBots: Subverting Privacy Infrastructure for Cyber Attacks
    Himanshu Damle - Deanonymyzing ToR
    Himanshu Damle - A Time Traveler in Gödel Spacetime
    Himanshu Damle - Evolutionary Game Theory
    Himanshu Damle - 10 or 11 Dimensions? Phenomenological Conundrum
    Himanshu Damle - Geometry and Localization: An Unholy Alliance?
    Himanshu Damle - Typicality. Cosmological Constant and Boltzmann Brains.
    Himanshu Damle - Production of the Schizoid, End of Capitalism and Laruelle’s Radical Immanence
    Himanshu Damle - Where Hegel Was, There Deconstruction Shall Be:
    Himanshu Damle - Something Out of Almost Nothing. Drunken Risibility.
    ​Himanshu Damle - Hegelian Marxism of Lukács: Philosophy as Systematization of Ideology and Politics as Manipulation of Ideology.
    Himanshu Damle - Orthodoxy of the Neoclassical Synthesis
    Himanshu Damle - Intuition
    Himanshu Damle - Transcendentally Realist Modality
    Himanshu Damle - Dark Matter as an Ode to Ma Kali.
    Himanshu Damle - Knowledge Within and Without: The Upanishadic Tradition (1)
    Himanshu Damle - |, ||, |||, ||||| . The Non-Metaphysics of Unprediction.
    Himanshu damle - Philosophy of Dimensions: M-Theory.
    Himanshu Damle - Quantum Informational Biochemistry
    Himanshu Damle - Accelerated Capital as an Anathema to the Principles of Communicative Action
    Hyperstitional Carriers
    Hyperstition - Sorcerers and Necromancers: sorcery and the line of escape part II
    Hyperstition - Sorcerers and Necromancers: lines of escape or wings of the ground? part IV
    Nick Land - Cathedralism
    Nick Land - An Interview: ‘THE ONLY THING I WOULD IMPOSE IS FRAGMENTATION’
    Nick Land - Teleoplexy (Notes on Acceleration)
    Nick Land - The unconscious is not an aspirational unity but an operative swarm
    Nick Land - The curse of the sun (Part 1)
    Nick Land - The curse of the sun (Part 2)
    Nick Land - The curse of the sun (Part 3)
    Nick Land - Transgression (Part 1)
    Nick Land - Spirit and Teeth
    Nick Land - Occultures (Part 1)
    Nick Land - Occultures (Part 2)
    Nick Land - A Dirty Joke
    N Y X U S - Traffic
    Paul Virilio - Interview : TERROR IS THE REALIZATION OF THE LAW OF MOVEMENT
    Paul Virilio - Interview: ADMINISTRATING FEAR: TOWARDS CIVIL DISSUASION
    Paul Virilio - Interview : Speed-Space
    Paul Virilio - a topographical Amnesia
    Paul Virilio - Public Image
    Paul Virilio - The vision Machine ( Part 1)
    Paul Virilio - The Vision Machine (Part 2)
    Paul Virilio - The Information Bomb: A Conversation
    Peter Zhang - The four ecologies, postevolution and singularity
    Peter Zhang and Eric Jenkins - Deleuze the Media Ecologist? Extensions of and Advances on McLuhan
    vastabrupt - Time War // Briefing for Neolemurian Agents
    XENOBUDDHISM - NONORIENTED ACCELERATIONISM
    Xenosystems - Meta-Neocameralism
    XENOMACHINES - Fiction as Method: Bergson
    youandwhosearmy? - BERGSONIAN SCIENCE-FICTION: DELEUZE, ESHUN, AND THINKING THE REALITY OF TIME

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